The Very Large Array
McDonald Ranch House and Trinity Site
The uninspired correspondent scratches his scalp, but dandruff and lice, not words, fall onto the blotter.
Everyone of a certain age thinks of the 1969 moon landing as a symbolic dividing line between the new technological era and the old. At the time, the moon landing occasioned great excitement and it was heralded as the beginning of a new age. But it's more properly seen as the culmination of some older technological developments.
In all ages the thunder of heaven has contributed more powerfully to promote the cause of imposture and tyranny. By the science of electricity, however, the future possibility may be exterminated of renewing these frauds. It has enabled the most common artificer to avert every danger of attending a thunderstorm. It teaches the vulgar mind to smile at a thousand religious ceremonies.
"I would give the greatest sunset in the world for one sight of New York's skyline. Particularly when one can't see the details. Just the shapes. The shapes and the thought that made them. The sky over New York and the will of man made visible. What other religion do we need? And then people tell me about pilgrimages to some dank pesthole in a jungle where they go to do homage to a crumbling temple, to a leering stone monster with a pot belly, created by some leprous savage. Is it beauty and genius they want to see? Do they seek a sense of the sublime? Let them come to New York, stand on the shore of the Hudson, look and kneel. When I see the city from my window - no, I don't feel how small I am - but I feel that if a war came to threaten this, I would throw myself into space, over the city, and protect these buildings with my body."
"He entered. Light seemed to give up the struggle halfway through the thick, soiled windows, leaving the interior in shadows. The walls were unadorned except by dirt. The pub was empty of all but the most dedicated drinkers, shambolic figures huddled over bottles. Several were junkies, several were Remade. Some were both: The Dying Child turned no one away. A group of emaciated young men lay draped across a table twitching in perfect time, strung out on shazbah or dreamshit or very-tea. One woman held her glass in a metal claw that spat steam and dripped oil onto the floorboards. A man in the corner lapped quietly from a bowl of beer, licking the fox's muzzle that had been grafted to his face."