Great Gladwell Article in This Week's Newyorker

LINK

"In the case of Operation Mincemeat, Germany’s spies told their superiors that something false was actually true (even though, secretly, some of those spies might have known better), and Germany acted on it. In the case of Cicero, Germany’s spies told their superiors that something was true that may indeed have been true, though maybe wasn’t, or maybe was true for a while and not true for a while, depending on whether you believe the word of someone two decades after the war was over—and in this case Germany didn’t really act on it at all. Looking at that track record, you have to wonder if Germany would have been better off not having any spies at all."

"He then returned to Washington and rose to head the C.I.A.’s counter-intelligence division throughout the Cold War.

Angleton did not write detective stories. His nickname was the Poet. He corresponded with the likes of Ezra Pound, E. E. Cummings, T. S. Eliot, Archibald MacLeish, and William Carlos Williams, and he championed William Empson’s “Seven Types of Ambiguity.” He co-founded a literary journal at Yale called Furioso. What he brought to spycraft was the intellectual model of the New Criticism, which, as one contributor to Furioso put it, was propelled by “the discovery that it is possible and proper for a poet to mean two differing or even opposing things at the same time.” Angleton saw twists and turns where others saw only straight lines. To him, the spy game was not a story that marched to a predetermined conclusion. It was, in a phrase of Eliot’s that he loved to use, “a wilderness of mirrors.”